DECIR SI GAMBARO PDF

Una ventana y una puerta de entrada. Dos tachos en el suelo, uno grande, uno chico, con tapas. Una escoba y una pala. Un espejo movible de pie. Es un hombre grande, taciturno, de gestos lentos.

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The bizarre environments of victims and victimizers, abductions and concentration camps, foretell the atrocities to come. In the s, major works such as Information for Foreigners and Strip , included here , explore the role of the population living in a criminal society. The audience becomes the main protagonist in Information for Foreigners - not the population of torturers and torture victims of earlier plays, but the audience of innocent by-standers, complicitous onlookers, and invisible members of the silent majority who had to make daily decisions about how to act and react to the brutality around them.

In the s, plays such as Atando cabos , Tying Loose Ends and Es necesario entender un poco , It Important to Understand a Little , show people trying to deal with the traumatic aftershocks of their recent experience. Throughout her career, Griselda Gambaro has been in tune with the political climate in her country.

She needed her audience, but no more than her audience needed her. Gambaro is the most celebrated playwright in Argentina. Her works are produced in all the major theatres, and awarded every conceivable prize. She has won dozens of national awards. In , she was awarded a Guggenheim. Translations of other plays have appeared in various collections see Selected Bibliography.

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Griselda Gambaro

Ministerio de Ed. Es en este contexto que se gesta el Teatro Abierto, 1 movimiento teatral de resistencia que se presenta en como protesta ante la dictadura militar. La actitud del Peluquero lleva al Hombre a un estado de shock que, a su vez, le fuerza a tomar el papel de conciliador. Se enfrentan palabra y gesto en el absurdo, desarticulando lenguaje y generando violencia.

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DECIR SÍ Griselda Gambaro

En este caso es muy importante ya que, ubicando la pieza en el contexto de Teatro Abierto, se trata de una production realizada bajo la dictadura, por lo tanto objeto de censura. La historia es simple : un hombre llega a una peluqueria en el momento del cierre ; el peluquero, hombre adusto y taci- turno apenas lo recibe. El peluquero decide entonces ocupar nuevamente su papel pe- ro en vez de afeitar al hombre, le corta la cabeza. Es una especie de juego macabro de gate y raton donde la victima acepta ciegamente todas las reglas del juego.

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